Imprinting the Divine: Byzantine and Russian Icons from The Menil Collection




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Product Description

The Menil's collection of Byzantine and related icons is widely regarded as one of the most important in the United States. Comprising more than sixty works, many acquired by Dominique de Menil in 1985 from the noted British collector Eric Bradley, the group spans twelve hundred years, from the sixth to the eighteenth centuries, and encompasses a number of distinct cultures, including Greek, Balkan, and Russian. In this volume, the first publication to survey this diverse collection, leading scholars explore the history and meaning of these remarkable works, and their continuing power to surprise and impress. 

Orthodox Christianity developed in the Near East during the Byzantine Empire, in time yielding eleven autocephalous communions of which the Greek, Russian, Romanian, Serbian, and Bulgarian Orthodox churches are the largest today. Each maintained the tradition of icon painting rooted in Byzantium but inflected it in distinctive ways. Transcending time and place through a delicate balance of tradition and innovation, these images of saintly or divine figures were designed to imprint their holy subjects on the human mind. Though largely dismissed as backward by Renaissance and Enlightenment Europeans, icons captured the imagination of early modernist painters, and contemporary audiences appreciate them as aesthetic objects. Top to learn more





Two-Sided Icon Flower Vase, Red, Featuring Byzantine icons of Christ and the Virgin Mary




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Product Description

Featuring Byzantine icons of Christ and the Virgin Mary, this two-sided ceramic vase will add a radiant sacred beauty to any setting in which you place it. Rich burgundy ceramic with 24kt gold ornamentation. 6 3/4" tall Top to learn more




Jesus Christ Pantocrator Silver Byzantine Icon - Large




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Icon




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Icons and Saints of the Eastern Orthodox Church (A Guide to Imagery)




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Customer Review


A great value!
I bought this book because I am interested in icons and wanted more than the few images that are usually featured in books about icons. Well, this volume has HUNDREDS, all arranged by saints and persons of the church. It's a great value for the price. The images are clear and colorful and printed on glossy paper. There is a minimum of words in this book, which I liked because I wanted the images, but there is enough explanation to understand the context and the creation of the image. The book is a small and chunky paperback, and I can predict that I might break the spine if I use the book overmuch, but I recommend this book anyway because of the wealth of images. I am very happy with this book.
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AWESOME Value.
Good things: For the price, this book has a way more bang for the buck than most icon books. Look at the number of pages, and each of them has an icon. The paper is very nice, glossy and heavy. The icons are explained in depth, with indications of the meaings of each part, and a short history of the icon.Nitpicks: I wish the book were a little larger, but then again I say that about all icon books. Also, I seriously wish someone would include Ethopian and Coptic and other Church icons in some of these books, especially one this size and this thorough. There were tons of the standard Byzantine/Greek/Russian icons, some of them redundant, which could have had some Syrian/Ethopian/Coptic/Arabic etc icons in there too. But these nitpicks aren't reason to not buy the book, or even deduct a star.
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Product Description

An icon (from the Greek word "eikon," "image") is a wooden panel painting of a holy person or scene from Orthodox Christianity, the religion of the Byzantine Empire that is practiced today mainly in Greece and Russia. It was believed that these works acted as intermediaries between worshipers and the holy personages they depicted. Their pictorial language is stylized and primarily symbolic, rather than literal and narrative. Indeed, every attitude, pose, and color depicted in an icon has a precise meaning, and their painters--usually monks--followed prescribed models from iconographic manuals.
The goal of this book is to catalogue the vast heritage of images according to iconographic type and subject, from the most ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. Chapters focus on the role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church and the life of Jesus and his followers. As with other volumes in the Guide to Imagery series, this book includes a wealth of color illustrations in which details are called out for discussion. Top to learn more



A Little Disappointed
Although I agree with most of the comments made by the others who have offered critiques, I don't believe this book deserves a 5 star rating. This book has a lot of beautiful icons, and I enjoyed learning about the meaning of the imagery. There is high value in the diverse collection of beautiful icons. The book had three flaws that disturbed my enjoyment of the book:1) Icons are tied together by some general imagery. I am fairly ignorant with regards to icon imagery, but I know a little. For example, the use of the mandorla. A mandorla (round or almond shaped device behind an image) is used to mark something that can only be seen through the eyes of faith. The general meaning of colors like blue and red on the icons of Mary and Jesus, as well. A short guide explaining some of these general rules of imagery would have been a spectacular aid to those, like myself, who are woefully ignorant on the topic.2) The author expresses some theology in language...
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The Icon in the Life and History of the Russian People (Russia!)




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Product Description

The Russian icon, an object belonging to both religion and philosophy, archeology and the scripture, has come to symbolize the harmonious blend of both contemporary Russian and ancient Rus culture. Gerold Vzdornov analyzes the artistic value of the icon, dissecting the formal components (such as color, line, and composition), as well as reoccurring thematic content.

Excerpt
The Russian icon, as a church object of religious worship, deals with many of the same subjects as Western European religious compositions, such as Italian or German altar paintings of the Middle Ages. Obviously, there is a genetic resemblance between Russian icons and works produced by Byzantine artists, since both of these Christian civilizations have the same roots. However, unlike Greek icons, Russian painting developed such individual characteristics over the centuries that it cannot be viewed merely as an appendix to Byzantine art. It is a different artistic phenomenon altogether. Moreover, after the fall of the Byzantine Empire in 1453, Russian icons came to embody the Orthodox Christian art of all of Eastern Europe and spread to other countries and geographical locations: to Greece and Mount Athos, to Bulgaria and Serbia, to Romania and Hungary. Top to learn more



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